A ballet dancer (Italian: balerina [balle'ri: na] fem., ballerino [balle'ri: no] masc.) is a person who practices classical ballet art. Both women and men can practice ballet; However, dancers have a strict hierarchy and gender roles. They rely on years of training and the right techniques to be part of a professional company. Ballet dancers have a high risk of injury due to a demanding ballet technique.
Video Ballet dancer
Training and techniques
Ballet dancers usually start training between the ages of 2-4 (for women) or 5-7 (for male dancers) if they want to perform professionally. Training does not end when ballet dancers are employed by professional companies. They have to attend ballet classes six days a week to keep themselves fit and aware. Ballet is a strict art form, and the dancers must be very athletic and flexible.
Ballet dancers start their classes in barre, wooden beams stretching along the walls of the ballet studio. Dancers use barre to support themselves during practice. Barre jobs are designed to warm the body and stretch the muscles to prepare for the center work, where they do the exercises without barre. The center works in the middle of the room starting with a slower exercise, gradually leading to faster exercise and greater movement. Ballet dancers complete the work of the center practicing a big jump on the floor called grande allegro.
After working at the center, women present the exercises at the pointe, or at their toes, backed by special pointe shoes. Men practice jumping and taking turns. They can work with partners.
Maps Ballet dancer
Injuries
Ballet dancers are vulnerable to injury as they constantly put tension and pressure on their bodies. The goal of ballet dancers is to make the physically demanding choreography look easy. Ballet dancers increase the risk of injury if they start practicing earlier than the age of ten. However, many ballet dancers start at an average age of 6-8 years.
The upper body of the ballet dancers tend to be injured because choreography and classroom exercises require them to use energy into distorting their backs and hips. The back bends cause the pinch back, making the spine susceptible to injuries such as spasms and pinched nerves. Extending the legs and holding them in the air while in fact causing damage to the hips. Such damage includes strains, fatigue fractures, and bone density density.
Injuries commonly occur in ballet dancers because ballet consists of putting the body in an unnatural position. One such position is the first position, where the heel is placed together when the toes point out, rotate, or "rotate" the foot. The first position puts the risk of injury in the knee. Meniscal tears and dislocations often occur on the knee because it is easy to let the knees shift forward when the first position.
Ballet dancers tend to fracture and other damage. Landing from a jump and working on pointe shoes causes broken bones and weakened ankles. Tendonitis often occurs in female ballet dancers because the work of the pointe is heavy on their ankles. The landing of the wrong jump can also cause shin splints, in which the muscles separate from the bones.
Class time is used to correct habits that can cause injury. If ballet dancers are well trained, dancers will reduce the risk of injury. Some ballet dancers also turn to other stretching methods or cross training methods, such as Pilates, Yoga, cardio without impact, and swimming. This, beyond cross-training, tries to minimize the risk of body damage by increasing strength, sport, diversity and stamina. However, injury is a common occurrence in the show. Most of the injuries did not appear until later in the life of ballet dancers, after years of continuing tension.
Gender title
Traditional, gender-specific titles are used for ballet dancers. In France, male ballet dancers are referred to as danseur and women as a danseuse . In Italy, a ballerina is a woman who usually holds a major title in a ballet company; the titles for the same ranked men are ballerino . In Italy, the common term for male dancers is andzatore and female dancers are andzatrice .
These terms are rarely used in English. Since ballerino is not used in English, it does not enjoy the same connotation as ballerina . An ordinary male dancer in Italy is called andzatore , while the ballerino usually shows the main male ballet dancer in Italy. In the English-speaking world, boys or boys who are classical ballet dancers are usually referred to as ballet dancers (men). Often "ballerino" is used in countries based on English as slang.
In the late 1950s a ballerina was a major female dancer from a ballet company who was also a high performer in the international ballet world, especially outside his own company; the female dancer who danced the ballet then called danseuses or just a ballet dancer. Ballerina is a critical award given to relatively few female dancers, somewhat similar to the title of the diva in the opera. The male version of this term is danseur noble (France). Since the 1960s, however, the term has lost this aspect of honor and is generally applied to women who are ballet dancers.
In the original Italian language, the term ballerino (male dancer, usually in ballet) and ballerina does not imply a critically acclaimed dancer intended by the terms ballerina and andseur noble > when used in English. Instead, they only mean people who dance ballet. The Italian term for best performing female ballet dancers is prima ballerina and prima ballerina assoluta (French word ÃÆ' Â © toile is used in this sense at the Scala ballet company in Milan but has a different meaning in the Paris Opera Ballet.) Danzatore and andzatrice (female) is a generic term in Italian for significant dancers.
The term ballerina is sometimes used to denote classically trained and highly successful female ballet dancers. In such cases, it is a critical award that signifies exceptional talent and achievement.
Hierarchical title
Many use the term ballerina wrongly, often using it to describe every student or female ballet dancer. Ballerina was previously ranked only for the most outstanding female soloist.
Female
More or less, depending on the source, ratings for women - from highest to lowest - formerly: Italian Prima ballerina assoluta
Men
For men, the line is:
- Premier danseur noble
- Premier danseur
- Danseur
- Sujet
- CoryphÃÆ' Â © e
- Corps de balet
- Ballerino
Today
Ballet companies continue to rank their dancers in a hierarchical fashion, although most have adopted a gender-neutral classification system, and very few have recognized a leading dancer above all other members of the company. In most large companies, there are usually several main dancers of each sex, entitled major dancers or ÃÆ' Â © toile to reflect their seniority, and more often, their status within the company. The most common rankings (in English) are:
- Main dancer
- Soloist (or first soloist)
- Demi-solois (or second soloist)
- Corps de ballet
- Apprentice
Title prima balerina assoluta is rarely used, and is usually used as a mark of respect for the international reputation of dancers who has had a very important career.
Dancers who are identified as guest artists are usually those who have achieved high rankings with their original company, and then engaged to dance with other ballet companies around the world, usually performing the lead role. They are usually the main dancers or soloists with their original company, but are given the title of Guest Artist when performing with other companies.
Prima ballerina assoluta
The title or rank of prima balerina assoluta was initially inspired by the Italian ballet master from the original Romantic ballet and awarded to a highly talented ballerina, above other prominent ballerina standards. This title is very rarely used today and recent usage is usually symbolic, in recognition of an important career and as a result, it is usually seen as an honor and not an active rank.
See also
References
External links
Source of the article : Wikipedia
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